Process of becoming (Vitruvius), Ephesians 1:10 (2021)

Copper vessel, concrete, shattered glass transferred from another artwork (informed by a dream), copper wire, jewelled hanging cross, copper water pipe with steel tap handle, epoxy, rusted steel pipe (found beside St Hilda’s Anglican Church), white welding cement, tobacco ash (tobacco plant gifted by Koro Pal from the nursery at Ngā Hau e Whā Maara Kai in Taumarunui, grown in studio garden, the leaves dried in studio for months and then smoked through my great-grandfathers pipe in the garden), epoxy, arc-grinded rusted steel sphere plate (welded as to attach on to the rusted steel pipe, separated by incident and then turned over so that the welding marks are upturned visible beneath), glass foundation of wine glass (separated at stem), burnt sage, epoxy, glass body, Vitruvian Man pocket watch (suspended)

177 x 17 x 15 cm

Process of becoming (Vitruvius), Ephesians 1:10 (2021)

Copper vessel, concrete, shattered glass transferred from another artwork (informed by a dream), copper wire, jewelled hanging cross, copper water pipe with steel tap handle, epoxy, rusted steel pipe (found beside St Hilda’s Anglican Church), white welding cement, tobacco ash (tobacco plant gifted by Koro Pal from the nursery at Ngā Hau e Whā Maara Kai in Taumarunui, grown in studio garden, the leaves dried in studio for months and then smoked through my great-grandfathers pipe in the garden), epoxy, arc-grinded rusted steel sphere plate (welded as to attach on to the rusted steel pipe, separated by incident and then turned over so that the welding marks are upturned visible beneath), glass foundation of wine glass (separated at stem), burnt sage, epoxy, glass body, Vitruvian Man pocket watch (suspended)

177 x 17 x 15 cm